After her first big break in 1990 (as the Countess in Mozart's Le Nozze di Figaro with the Houston Grand Opera), Fleming's rise to the top was steady. A former manager deemed her "the single most ambitious singer he has ever known," and given the tenacity with which she faced early setbacks-"I have a noble history of being rejected from a lot of places," she writes-his comment is understandable.
Calling this candid account "the autobiography of my voice," soprano Fleming details the years of study it took to master the art of vocal production and the discipline that brought her international renown.
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